Epic Coyle

As I wait, and wait. . . and wait for the birth of my first child, I find the best way to offset the slow burning anticipation of fatherhood is to stuff my face full of chocolate and fiddle away into the wee hours on the ol’ Photoshop.

Appropriately, today’s exhibit in the Moose Country Museum is a family portrait. I went for the typical, day-in-the -life motif featuring my wife riding our horse, my unborn daughter riding dog-back, and me saddled-up on a rather ornery looking moose. Oh yeah, and the Missus and I have swords. And we’re all fixin’ to lay an epic smack-down on the forces of evil (not pictured).

The idea called for a more rough-and-tumble style, contrary to my usual polished animation look, complete with sketchy pencils, background cutouts, and a wicked “grungy paper” overlay.

Please enjoy responsibly.

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Movies 101: The ‘Burbs (1989)

One of the ‘Go-To’ titles in the ‘When-in-Doubt’ section of my DVD catalogue, this 1989 chuckle-fest about mild-mannered suburbanites pushed to the brink of Crazytown to prove whether or not their new neighbors are evil, cult-worshiping murderers, stars Tom Hanks at the peak of his comedy heyday.  Highlighted by an uncommonly hilarious Bruce Dern, Corey Feldman when he was still “Corey Feldman”, a gold-bikini-less Carrie Fisher, and Rick Ducommun in a career-defining role, director Joe Dante (the vastly underappreciated Joe Dante) engineers a wonderfully quirky jaunt that cuts right to the heart of the true meaning of “normal” in suburban mythology.

Grade:  A

 

 

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Movies 101: And Then There Were None (1945)


Based on the Agatha Christie whodunit of the same name (earlier published as ‘Ten Little Indians’), a story that spawned three big-screen adaptations and inspired modern-ish mystery classics like Clue and Murder By Death, the masterfully crafted 1945 original from director René Clair, script master Dudley Nichols, and the thespian superb-ity of then-veterans Barry Fitzgerald, Roland Young, and Walter Huston, is the benchmark by which all other films involving a-bunch-of-strangers-invited-to-spend-the-weekend-together-getting-killed-off-one-by-one-in-a-manner-reflective-of-stanzas-in-a children’s-nursery-rhyme should be judged.  

Grade: A-

And because there is no “official” And Then There Were None trailer (all the ones on YouTube appear to be fan-made and give away the whole movie) here’s a lil’ Clue in yer’ eye! 

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Movies 101: Spies Like Us (1985)

What, for some, falls under the heading of “Movies That Aren’t as Funny Now as They Were Then” (aka The ‘Weird Science’ Syndrome), for me, the 1985 John Landis helmed spy comedy never gets old.  With in-their-prime Chevy Chase and Dan Akroyd leading the way as underachieving government lackeys duped into a spytastic escapade of Cold War spy-dupery, a cavalcade of then-timely cameos (Bob Hope, B. B. King, Terry Gilliam, and future film enforcers Sam Raimi and Joel Coen) and a props-worthy Elmer Bernstein score, Spies Like Us is an adventure comedy for the adventurous comedy lover in all of us.

 Grade: A-

 

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Movies 101: Christmas Vacation (1989)


The 1989 holiday classic has become as much a Christmas tradition as tearing open presents and dangling ornaments on the tree.  But more so than the warm and fuzzy Yule vibe it sends coursing through our veins,  the brilliantly hilarious plotting of writer John Hughes (The Breakfast Club, Ferris Bueller’s Day Off) is truly appreciated when brought to life by the comical madcappery of Chevy Chase, the undemanding awkwardness of Randy Quaid, and the whimsically delightful antics of a slew of lovable Griswaldian players who, together, so deftly and effortlessly capture the true spirit of family togetherness during the holidays.

Grade:  A
 


 

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In Stooge We Trust

After sputtering through Disappointmentville in The Muppets mobile, you can imagine my hesitation when I came across the trailer The Three Stooges movie, yet another retelling of the wacky misadventures of characters I grew up with.  When I first caught wind of the Farrelly Brothers’ plan to breathe new life into the belly-bumping, skull-slapping trio first made famous in the Columbia Pictures shorts of the early 1930’s, and considering the M.O. of the derivative Hollywood remake machine, I could barely muster a shrug of interest knowing full well that nothing made today could come within an eye-poke of the genius of the old black and whites.

But – - my fellow knuckleheads – - I think I stand corrected.

Now, by no means am I claiming greatness.  Nor am I not half-expecting to have my hopes squashed when the film is actually released.  In fact, reaction to the trailer has been almost universally thumbs-down and expectations for the project are pretty low across the board.  However, from what I see in the 1 minute and 46 seconds in the teaser for Fox’s 2012 Stooge-pic, I can say this: 

So far, this looks like everything you’d expect from a Three Stooges movie.

Yeah.  Okay.  Fine.  None of us want to see the Jersey Shore kids in a Stooges movie.  True that.  But hey, who wouldn’t want to Moe-poke Snooki in the eyeballs?  The jokes look silly.  The slapstick appears slappy. And the cast, featuring Will & Grace’s Sean Hayes as Larry, Mad TV vet Will Sasso as Curly, and relatively unknown Chris Diamantopoulos as Moe, seems – - yeah, I’ll say it – - perfect!  Speaking as a true fan of the brand, this trailer shows that a lot of care and attention to detail went into the making of this picture, and that is refreshingly encouraging.  But the real test is whether or not the movie can make me n’yuk for 90 minutes. 

 

And – - for the not-so-faint of heart – - something I did a long ways back.

 

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Movies 101: The Muppets (2011)


The Muppets offers infrequent sparks of hilarity aimlessly adrift in a sea of uninspired cookie-cuttery and mishandled opportunities, ultimately failing to light fire under this fan’s turkey-stuffed rump.  Director James Bobin and writers Nicholas Stoller and Jason Segel quickly lose track of – - well, everything – - spending not nearly enough time on the charming-as-ever title characters, and way too many precious moments on a pointless supporting human cast, with Segel specifically (also the film’s lead), oozing frame after frame of eye-rolling unlikeability.  In the end you realize it’s a Muppet movie that isn’t really about the Muppets.  Bummer.

Grade: C+

 

(and now. . . classic Muppets)

 

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Hoot, Man! Hoot!

Aye.  ‘Tis a fine day, ’tis.  Ah cannae believe I unearthed a genuine first edition of Captain Kilt & Lad Boy!  The skinny malinky longlegs be the aforementioned Captain Kilt and the wee dobber answers to Lad Boy.  Sure’in their adventures be rife with paps and arse and ridding the streets of fanniebaws.  Pure dead brilliant!

Ach!  Me bum’s oot the windae.

Ah need a pint.

 

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Movies 101: Three Amigos (1986)

Boy, they sure don’t make’em like this anymore. The 1986 classic following the zany misadventures of three movie stars who knucklehead their way into kinda’ sorta’ saving a small Mexican village from the clutches of an evil Bandolero and his merry gunmen, features Steve Martin, Chevy Chase, and Martin Short in the prime of their funny. Where (too) many 80’s comedies struggle to maintain that new car smell when rediscovered years later, Three Amigos is a rare gem that gets funnier and funnier with every stroll around the barrio. And it’s also where I learned the meaning of the word “infamous.”

Grade: A

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Cap Saves Boy Within!

A wise man once said, “Forgiveness is divine, but never pay full price for late pizza.”  All right, maybe he wasn’t so much a wise man as he was a wisecrackin’ Ninja Turtle.  As I found myself dangling on the far edge of the 18-34 demographic, it proved increasingly difficult to forgive the missteps and mishaps of the Hollywood silver screen machine.  Especially considering the price paid in both salary and soul to achieve such accomplishments in cine-magic.

Having been gainfully employed in Tinseltown for nearly a decade, my journey has proved to be every bit as fantastical as it has humbling.  Days turned to months, turned to years, as if living in fast forward.  Every chapter too quick to remember.  Every memory too scattered to form any coherent recollection of my days working both in front of, and behind the scenes.  Then, one day, I woke up and realized I was eight years into the dream had completely forgotten how I got there.

For a bushy-tailed kid from the suburbs who had his bright eyes locked and loaded on being the next Spielberg, Scott, or Zemeckis, a job in Hollywood was, as the French say, “so choice.”  But unfortunately, there was such a thing as being too close to the action.   And my insider knowledge coupled with a plethora of internet news and gossip sites like Aint-It-Cool and JoBlo – - well, my purdy lil’ head became so severely oversaturated with uber-privileged know-how, that I had completely lost touch with the boy inside who’s love for filmmaking is what sparked this blaze in the first place.  All of a sudden, I was a cynical, grumpy ol’ codger whose insurmountable expectations had put a Darth Vader choke hold on the movie lover deep down.

It became easier to hate and more convenient to feel let down.  Everything – - well, almost everything – - was a disappointment.

Turn the calendar to February 2011,  Superbowl Sunday, my first real look at the trailer for Joe Johnston’s Captain America.  Something inside me exploded.  Walls crumbled.  Tides turned.  Like a Phoenix rising from the ashes, the kid inside me jumped up and cried “NEATO!”

T’was a glorious day, t’was.

It was a day that will forever live in the infamy of me.  The day I decided to cut myself off from all gossip, all news, all stories, all anything and everything featured on the early-bird menu of the Hollywood’s insider café.  It was the day I decided to eat my meals in stowage with the common folk.  I was going to allow myself to be awed.  Allow myself to be entertained.  Allow myself to love going to the movies again.

And I would accomplish such a feat with a simple two-step program:  Posters and Trailers.

 

The good ol’ days would become the good now days.  I would leave my movie-going fate in the hands of the trailer editors and poster people.  I can still remember the time and place and smell of Sbarro and Cinnabon in the air the first time I saw the posters for Batman, Teenage Mutant Ninja Turtles, and Indiana Jones and the Last Crusade.  I remember spotting a tattered billboard advert for The Burbs from the backseat of my mother’s Taurus wagon.  I remember seeing the first preview for Jurassic Park on the big screen and completely forgetting what movie it was I paid to see that day.

New trailers.  New posters.  There was excitement.  There was anticipation.  You knew nothing until the day you heard the words “Theatre 1.  Enjoy your show.”  When you plunked your keester in that seat and the lights went dim – - it was on!  And whether or not the movie changed the world or even moderately entertained, at least it surprised you.  At least you didn’t know what was coming.  At least you had a fair chance to enjoy yourself. 

So in the spirit of – - well – - all that stuff I just said – - I invite you all to join my mission o’ fun-having.  Cast aside all your hesitations and preconceptions, light a match on your oily heap of expectations, and get lost in the magic of movies.

You’ll be glad you did.

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